By Samantha Hahn
A treasure of a present for the well-read lady, this assortment brings jointly 50 stirring pix, in watercolor and in observe, of literature's such a lot well-read lady characters. Anna Karenina, Clarissa Dalloway, Daisy Buchanan...each turns out to continue to exist the web page via celebrated artist Samantha Hahn's evocative photos and hand-lettered quotations, with the pairing of paintings and textual content shooting the entire spirit of the nature as she was once initially written. The e-book itself conjures up classic grace reimagined for modern style, with a fabric backbone silkscreened in a image trend, debossed disguise, and pages that flip with the tactile pride of watercolor paper. within the hand and within the examining, here's a new vintage for the e-book lover's library.
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Additional resources for Well-Read Women: Portraits of Fiction's Most Beloved Heroines
No a part of this publication will be reproduced in any shape with no written permission from the writer. layout by way of Kristen Hewitt web page 108 constitutes a continuation of the copyright web page. Library of Congress Cataloging-in-Publication info on hand. ISBN: 978-1-4521-1415-6 Chronicle Books LLC 680 moment road San Francisco, CA 94107 www. chroniclebooks. com In loving reminiscence of my dad, Lewis Hahn advent Anna Karenina, Daisy Buchanan, Jane Eyre: the best woman characters inflame our passions and excite our imaginations. our favourite characters are common archetypes and uniquely unsuitable members suddenly. once in a while, an writer creates this sort of masterpiece, a feminine determine of such striking originality and fact that she is going to resonate with readers all the time. We sympathize along with her, we recognize her, we hate her, we wish to be her. eventually, each reader brings his or her personal mind's eye to the duty of envisioning those mythical characters. As an artist fed on through the feminine shape, i couldn't withstand the problem of bringing all the maximum ladies in literature (in my very own opinion, in fact) to existence, as, examining carefully, I see them spring forth in my brain. to decide on the characters I portrayed during this publication, I forged my web around the Western canon and a section past. a few of these tales have been new to me, and a few have been valuable favorites. they arrive from novels, performs, and poetry, and every is, in her personal approach, profound. each reader conjures her personal imaginative and prescient. No Scarletts or Lolitas are alike. looking reference for them was once a thrill and an event. It used to be my objective to rouse the magic and intrigue of an period via little info just like the variety of Clarissa Dalloway’s Jazz Age turban and Becky Sharp’s Edwardian costume. past the outside information, it used to be necessary to me to catch the sensation of every personality, to visually interpret her via my emotional lens, to painting her as I see her in my mind’s eye. From Edna Pontellier’s despondent eyes to Wendy Darling’s hot smile, I got down to exhibit the essence of every one as we think her during the author’s description of her and her international. I illustrated costs from their discussion or options, giving them voice in addition to presence. every one of those characters is now as popular to me as an in depth buddy. I realized lots approximately myself from gaining knowledge of each one of them. I invite you into this e-book as if you, too, are within the scene the writer created. Meet those heroines, befriend them, and within the strategy, possibly, know about your self. even if you’ve learn a few or all of those tales, i'm hoping you take pleasure in staring at into the eyes of the entire robust, broken, attractive, and incandescent ladies in my publication. i am hoping you stick to them again to their unique tales and are available to determine them on your personal manner, too. credit web page nine: Quote reprinted with the permission of Harold Ober affiliates and of Scribner, a department of Simon & Schuster, Inc. from the nice Gatsby via F. Scott Fitzgerald. Copyright © 1925 via Charles Scribner’s Sons.